Learning Outcome one: Media Regulations

Rules and regulations that apply to our film -

Under 18's - Because our film features alot of under 18's in it is my job as the producer to makes sure that their best intrests and kept in mind during the making and distribution of this film.


Crime - Movies with a criminal theme like ours often require a lawyer so that film companies can avoid getting sued. We can't afford lawyers so were just going to be very carefull to protect the indentities of people in the film.


Corporations - You aren't allow to use a corporation or buisness product or name in your film because it can either give them a bad name or have the assosicated with something they don't want to be, this can end in things like law suits.


 Outside help - If you use outside help in making your film e.g. hire a stunt man then you have to mention them and give them credit for the work they did , also you have to pay them whatever was promised or their probably going to sue you.


Power Point presentation with all the laws and rules for creating a film or documentary are on my computer.

- Notes for my Documentary to help with pre Production

Because our documentary is based on graffiti we have to try harder to get artists to interview because the whole point of being a graffiti artist is that nobody knows who you are. We will have to use our connections inside the graffiti community. It’s going to be easy to find people to interview about graffiti because we can just stop random people in the street and ask for their opinion.

The documentary is going too biased towards the ideals and opinions of the graffiti writers in the movie as I personally believe that this adds a more interesting edge to a documentary, as opposed to making a boring observational documentary.

Supersize me could have got in serious trouble commercial references as this documentary could have and probably did seriously damage the reputation of MacDonald’s which could in turn lose them million, they could have been sued by one of the richest companies in the world just for making a documentary.

News Report Video

News Values

Graham Noels leaves his job at st pauls. Protestors.

Nick Clegg explains where a billion pounds will be spent.

Roman O bramovitch is sued

being born today had a specific importance

St pauls story -

Presenter keeps a straight face and is serious throughout.

Voice talking over footage of Graham Noels at a press conference.
The voice over explains the story and goes into more detail that the
initial piece of information we were given.

Protestors didnt want to force him out , but they still did none the less.
In interviews with the protestors it was clear that they felt bad that he
felt he had to quit his job because what they were doing.

Bishop of London is going to replace Graham Noels and take over all his responsibilities

On location interview

Impact

1.     Threshold: The bigger impact the story has, the more people it affects, the more extreme the effect or the more money or resources it involves, the better its chances of hitting the news stands.

2.     Frequency: Events, such as motorway pile-ups, murders and plane crashes, which occur suddenly and fit well with the newspaper or news broadcast's schedule are more readily reported than those which occur gradually or at inconvenient times of day or night. Long-term trends are unlikely to receive much coverage.

3.     Negativity: Bad news is more exciting than good news. Stories about death, tragedy, bankruptcy, violence, damage, natural disasters, political upheaval or simply extreme weather conditions are always rated above positive stories such as royal weddings or celebrations.  Bad news stories are more likely to be reported than good news because they are more likely to score high on other news values, such as threshold, unexpectedness, unambiguity and meaningfulness,

4.     Unexpectedness: If an event is out of the ordinary it will be more likely to make it into the news than an everyday occurrence would. As Charles A. Dana famously put it: ''"if a dog bites a man, that's not news. But if a man bites a dog, that's news!"''

5.     Unambiguity: Events which are easy to grasp make for better copy than those which are open to more than one interpretation, or where understanding of the implications depends on first understanding the complex background to the event.

Audience identification

1.     Personalisation: People are interested in people. News stories that centre on a particular person, and are presented from a human interest angle, are likely to make the front page, particularly if they involve a well-known person. Some people claim this news value has become distorted, and that news editors over-rate personality stories, especially those involving celebrities.

2.     Meaningfulness: This relates to cultural proximity and the extent to which the audience identifies with the topic. Stories about people who speak the same language, look the same, and share the same preoccupations as the audience receive more coverage than those involving people who do not.

3.     Reference to elite nations: Stories concerned with global powers receive more attention than those dealing with less influential nations. This also relates to cultural proximity. Those nations which are culturally closest to our own will receive most of the coverage.

4.     Reference to elite persons: The media pay attention to the rich, powerful, famous and infamous. Stories about important people get the most coverage. Hence, the American President gets more coverage than your local councillor.

Pragmatics of media coverage

1.     Consonance: Stories which match the media's expectations receive more coverage than those which contradict them.  At first sight, this appears to contradict the notion of unexpectedness. However, consonance refers to the media's readiness to report an item, which they are more likely to do if they are prepared for it. Indeed, journalists often have a preconceived idea of the angle they want to report an event from, even before they get there.

2.     Continuity: A story which is already in the news gathers a kind of momentum – the running story. This is partly because news teams are already in place to report the story, and partly because previous reportage may have made the story more accessible to the public.

3.     Composition: Stories must compete with one another for space in the media. For instance, editors may seek to provide a balance of different types of coverage. If there is an excess of foreign news, for instance, the least important foreign story may have to make way for an inconsequential item of domestic news. In this way the prominence given to a story depends not only on its own news value but also on those of competing stories. This is a matter of the editors' judgement, more than anything else.